Laser Brains Presents
"A Very Merry Die Hard Holiday Rock Show" ft. Tedo Stone, Grand Vapids, Palace Doctor & T Hardy Morris
Grand Vapids (Rooftop), Palace Doctor, T. Hardy Morris (Main Stage)
Wed · December 20, 2017
Doors: 8:00 pm / Show: 9:00 pm
This event is 18 and over
Four great rock acts getting into the holiday spirit at the Georgia Theatre. Bands will be playing along to Die Hard on the big screen along with other visual treats. "Welcome to the party, pal(s)".https://www.georgiatheatre.com/event/1607922/
Now living in Atlanta and with a searing new album, Marshes, due out on September 18 via This Is American Music, Stone is making a name for himself with an enthralling fusion of throwback southern vibes, indie rock hooks and a wall-of-sound resonance.
A lifetime of listening to classic country and soul artists like Patsy Cline and Otis Redding imbued the young songwriter with a retro pop and strong vocal appreciation from a young age, though finding his own voice has been an ongoing process. His 2013 debut album, Good Go Bad, saw Tedo delving into glam jams and alt country rock, though Stone admits he wasn’t fully assured of his sound yet.
While hanging out in Athens, Georgia and playing with the endless array of talented young musicians there, Stone realized his songs were sounding different live, evolving into a mixture of Dinosaur Jr’s wailing guitars and Neil Young’s raw emotion; and he liked it. Taking that new energy into the studio last year, Stone recorded Marshes straight to tape, live in a room with a core group of friends. Under the guidance of producer and engineer Drew Vandenberg (Deerhunter, of Montreal), Stone this time around establishes himself as a pure rock and roll songwriter, with invigorating rhythms, addictive hooks and keenly layered guitars.
Certain tracks throughout the album, like “By Your Side” and “Home to It” seamlessly infuse myriad musical elements at once, simultaneously echoing 60’s sock hop riffs, T. Rex-styled big amp fuzz and soaring post-rock solos, all while Stone fearlessly croons with a fierce timbre. Reflecting the swampy mires that Stone grew up around, Marshes is an album of deep grooves and assured writing that will find its way into your rotation with an endlessly repeatable appeal.
Forming in early 2014, Grand Vapids spent the course of a year recording its debut album Guarantees with producer and engineer Drew Vandenberg (of Montreal, Deerhunter, Kishi Bashi) at Chase Park Transduction in Athens, GA. On the album the sonic palette is wide. Withguitars that are laboriously crafted, a driving rhythm section, and synths that are densely layered and structured. The songs are at once intimate and expansive, exploring a fevered state of fear and wonder. The album was mastered by Joe Lambert (Wye Oak, Sharon Van Etten, Wild Nothing) in NYC.
While Grand Vapids' music could easily satiate the space between Yo La Tengo and Sonic Youth, there is a depth of feeling to these songs that moves beyond nostalgia and pushes the listener toward a state of mind where memory and wonderment intersect. It is a delicate and dense balance on a debut record that finds the band carving out its own musical identity.
Grand Vapids is McKendrick Bearden, Austin Harris, Paul Stevens, and Patrick Morales.
Their debut album Guaranteeswas released on January 20th, 2015.
Even the album title, Dude, The Obscure, hints at self-discovery. In an homage to English author Thomas Hardy’s novel, “Jude, The Obscure,” Morris reveals his love for literature, philosophy and poetry — along with a secret about his stage name.
“Thomas Hardy is my given name, and Dude, The Obscure is a moniker I considered using as an artist,” Morris said. “The hat tip to the novel seemed appropriate for the album because it deals with doubts, joys, regrets and spirituality, a lifelong journey and such."
Each song on the album seems compelled by Morris’ desire to help himself— and others— conquer the void of everyday meaninglessness. It’s an effort philosopher Maurice Blanchot described as the anguish of writing: “You have to cross an abyss, and if you do not jump, you do not comprehend.” Morris takes that leap to find universal truth by navigating sometimes opposing perspectives within moments that change lives. Morris beautifully warns us not to succumb to the fear of missing out that stands in the way of contentment on the album’s defining moment, “Cheating Life, Living Death.” Every dream is an invitation/ To leave your love up on the shelf/ When you walk out every evening/ Cheating life and living death."
For the sessions, Morris made the familiar pilgrimage to Adam Landry’s home studio in Nashville. The longtime collaborators took their time and gave each song the opportunity to grow unaffected by outside influence except the magic that happens when two friends lock themselves in a smoky shed to make music, and a few pals stop by.
Within 11 powerful songs, the Athens rocker reveals scars and shares lessons from an indie-rock odyssey that has taken him around the world and back home to find himself a little older and closer to something like enlightenment.
And just in time for a new journey to begin.
215 N. Lumpkin St
Athens, GA, 30601