Fri · August 25, 2017
Doors: 8:00 pm / Show: 9:00 pm
$21.00 - $25.00
This event is 18 and overhttps://www.georgiatheatre.com/event/1504801/
"A lot of start-up acts are using fan-funded programs to finance their record. That's what my whole career has been: Kickstarter before Kickstarter. When my fans show up and buy a ticket and a t-shirt, they're investing in what I'm doing," says Corey. "It's my responsibility to invest it wisely and give them the best album I can. That's what led me to While the Gettin' Is Good."
It's also what led him to Stegall, who has produced such radio heavyweights as Alan Jackson and Zac Brown Band. It was the producer's track record, country-music experience and easy-going nature that convinced Corey that he was the man to refine his signature acoustic sound. "Keith knows how to make country records," he says, "but I wanted to make my kind of country record and he understood that immediately. He simply wanted to get us comfortable in a studio environment so we could do what we do onstage every night. For me, it was very liberating to be able to focus solely on performing and not be burdened by a lot of the decision-making and drilling down that goes into producing. It was the first time I was able to go into the studio and focus on what I do best. Keith was there to handle the rest."
A collection of 12 songs, While the Gettin' Is Good was written entirely by Corey. As such, it's a deeply personal album, one that explores themes of love, hometown pride and even personal discovery. A close relative inspired one of the record's highlights, "Bend," about learning how to adapt to what life throws at you.
"I wrote 'Bend' about a family member who was struggling with issues and I realized through writing this song that I was also talking about myself at the same time," says Corey, who scored a Top 20 album with The Broken Record in 2011. "So that song really hits home."
Still, the album stands as the Jefferson, Georgia, native's most upbeat. Especially on the nostalgic "Pride," a bouncing look back at Corey's high school days, from pep rallies to game day. His children attend the same school he did and together they often attend high-school football games, where the one-time social studies teacher sees friendly faces from his past.
"I remember sitting up in the stands going, 'Man, this is so cool.' I'm so glad we decided to stay here and let my kids be a part of this tradition," he says. "'Pride' summarizes who I am and even how my career has developed."
Likewise, album opener "Don't Mind" coasts along with a New Orleans vibe, full of fiddle and clarinet. A fun, happy song, it sets the tone for the record and pays tribute to the things we all gladly bear when we're in love. It also epitomizes Corey's current worldview.
"I have a 2006 truck that runs great, so I don't need a new truck. I don't have much time to get on a big lake, so I don't need a bass boat. I could have bought some really cool stuff with the money that I spent on this record, but I didn't, because I'm happy," he says. "It's a privilege to be able to do something like this, finance it myself and not have anyone telling me how my music needs to sound."
Nonetheless, Corey has hit on the perfect song for today's country radio: the approachable ballad "Taking the Edge Off." It's a road-weary travelogue, like Bob Seger's "Turn the Page" or Zac Brown Band's "Colder Weather," about the loneliness of touring and how people who travel combat such feelings.
"It captures a certain mood that we go through, especially in the winter. It's really a grind, it gets cold and lonely, and you're taking the edge off with a drink," he admits. "I remember being in Omaha and it was cold as hell. I worked on that tune throughout the day and night there and every time I hear it, I am transported back to that time."
Now, however, Corey is focused squarely on the future. As the new album title suggests, he's ready to make a determined grab at country's brass ring while the gettin' is good. And with Keith Stegall and Sugar Hill Records behind him, the gettin' has never been better. As the perseverant Corey is fond of saying, "There is more than one way to skin a cat in country music."
"I always dreamed of being able to make a record like this. I wanted to explore all the possibilities of a song and work with a producer who was among the best and who could teach me," he says. "What makes me different is that I write all these songs, and I write them from the heart. I've lived them."
Which is exactly why his fans are willing to go along for the ride and invest so much in an artist who speaks to their way of life. To Corey, While the Gettin' Is Good is his way of opening up his heart, along with his wallet, and paying them back.
"I'm going to take the goodwill they've given me and continually invest it into making better and better records that reflect who I am and my vision," he says. "They've entrusted me with a lot, so I'm trying to be the best steward I can be."
“It’s Country Music done my way,” says Bryant.
His 2016 EP Up In Smoke debuted at #7 on ITunes Country Chart and the video for the single A Woman’s Touch, debuted at number one on CMT’s 12 pack countdown – and stayed in the top 5 for 17 weeks! It’s hard to imagine the up-and-comer with such rich vocals once failed middle school chorus being he was too shy to sing in front of people.
Bryant grew up in the mountains of north Georgia where he started on the indigenous stylings of hisfamily’s Bluegrass band. “I was 8 when I first started playing guitar, “he explains. “I listened to Bluegrass music over and over again while strumming my Martin. I love Flat Lonesome andMountain Heart.” As he got older, Jacob started playing in church where he served as leaderof the youth group.
The singer/songwriter continued to hone his craft and took his show on the road after graduating fromhigh school, but It was New Year’s Day 2010 when his life changed forever. “My Mom had taken a nap and didn’t wake up. I was on my way to Nashville when I got the call and my whole world fellapart.” Bryant began a downhill spiral in the throes of addiction. “I had trouble dealing with my mother’s death, and it took me looking in the mirror and realizing I wasn’t happy with the person looking back at me to turn things around. I was able, with help, to completely quit drinking for a long time and to get control of my life. My mother would have wantedme to continue on with my music; it was her dream. I kind of made her dream my dream,” sharesBryant.
He turned to songwriting to process his grief and wrote “Sometimes I Pray” as tribute to his mother andlater tracked a song that depicted his battle with demons in “This Side Of Sober.” “I love playing thatsong live. The fans always sing it back to me. It’s the one that changed my life,” says Bryant. He continues to write on his own and with pals; penning a tune with fellow country newcomer Luke Combs called “Out There.” “ I also wrote a song with my good buddy, Jon Lawhon, of the rock band Blackstone Cherry. Jon told me they were going to cut a version of Save My Soul which is so cool. It’s one of my favorites.”
2017 marks the release of his fifth EP (Jacob Bryant Unplugged Vol 2) and two new singles in anticipation of his first full length record due out in February of 2018. “I’m really proud and excited for my fans about the new record” says Bryant. “We recorded a couple of my most requested songs from our live show along with a number of new songs I can’t wait to share”.
Look for Jacob on the road at a venue near you this fall. To find out more about Jacob’s music and tour schedule visit his website at www.jacobbryantmusic.com or his facebook site www.facebook.com/JacobBryantFans.
215 N. Lumpkin St
Athens, GA, 30601