Georgia Theatre Presents
T Hardy and the Hardknocks
Saint Pe’, Loose Knives
Thu · April 13, 2017
Doors: 8:30 pm / Show: 9:30 pm
This event is 18 and overhttps://www.georgiatheatre.com/event/1435289/
Hardy & The Hardknocks: Drownin On A Mountaintop
Album Notes By Patterson Hood, April 2015
“Love is a language with no subtitles"
Like ideas, the best songs are the simple ones. And like most simple ideas, they’re usually far more complex upon further examination than they seem at first.
So many young songwriters start off looking for the most complex way possible to examine a simple truth. Perhaps to seem smarter, or more “mature”. The better songwriters learn - hopefully before too much embarrassment - that the complex thought simply put is the key to a great song. Distilling that subtle truth down to its very essence and expressing it in a way that cuts through the bullshit and takes the listener by the heart into the depths of the intended emotion.
“I ain’t never giving back the things I took”
I caught the line on about my third listen, busy as I was doing things around the house while the new album played loud in the next room. I’ve known Hardy a while. His long running band Dead Confederate played some of their earliest shows opening for Drive-By Truckers several years ago. I always liked them but probably didn’t delve deep enough into what they were doing to listen closely to the songs. That all changed when Hardy was about to release his debut solo album (2013’s fantastic Audition Tapes) and I saw him play a couple of times around Athens. I was immediately blown away. Every time I’d see or hear him, I’d hear something new. Great songs keep getting better the more you listen to them.
“I ain’t never taking back the things I said”
Which leads us to the new one, Hardy & The Hardknocks: Drownin On A Mountaintop. If Hardy’s solo debut was a high and lonesome mellow-roast with musical touchstones like Harvest-era Neil Young and driving down a windy back road alone, the new one blasts out of the garage like some high-octane muscle car full of friends, blasting Mott The Hoople on the way to the last-call dive bar. It has it’s very own sound, but hits me in the same places as my favorite Replacements albums - stripped down and raw, yet sonically thrilling.
“Tell me how you like it, I’ll fix you up
Don’t you know home has cleaner cups”
The music is propelled by The Hardknocks. Vaughan Lamb and Nick Sterchi are a rock solid rhythm section, pushing it forward while never over-playing or detracting. That rare thing known as A songwriter’s rhythm section. Serious praise has to go to Hardy’s long time pedal steel player. Matt “Pistol” Stoessel, a veteran of Athens GA’s incredible music scene for many years. Pistol really shines in this band, providing both a melodic counter-point to Hardy’s formidable melodies and serving as the glue that holds all the elements together. The album all manages to be stripped down and raw yet sonically thrilling.
“Cuz I’m leaving now and coming back never
You can’t kill time without hurting forever
Cuz no one knows when I’m around
but it gets quieter when I leave town”
All of which leads me back to where I started, the wonderful last song on the album where the beat drops down to a slow waltz and the pedal steel swirls and the leading man sings…
“Just like the movies our eyes met
and just like the movies by the end they were wet
Just like in the movies I can’t catch each word
but love is a language with no subtitles”
He packed up his gear and moved to Nashville, where he settled down in a log cabin formerly owned by country legend Roy Acuff. Before long, that home had also turned into a studio, and with the help of a number of Atlanta-based friends, the Album, Fixed Focus was born. It’s less a departure from the sounds of the Lips and Rugs as it is an informed continuation of them that maintains all the hooks and pop sensibilities of his previous acts, while refining them with a bit of Nashville class and a hint of the darkness that 10 years on the road imbues upon the soul.
From singalong stompers “Street Lights,” “Got The Look” and “Kiss It Goodbye” to Southern Gothic explorations like “Burning Bright” and “Carbon Maker,” Fixed Focus is a fully-formed solo debut that sounds more like an album from deep into an established career.
Recorded by Saint Pé himself, Fixed Focus was then mixed by Matt Boynton (Kurt Vile, MGMT) in New York City and mastered by Joel Hatstat in Athens, GA.
With his first record finally in that brand new bag and new songs already on the way, Saint Pé plans to spend the foreseeable future back on the road with this latest project, bringing his new sounds to plenty of familiar faces.
*Saint Pé - fixed focus* out 4/7/17 on Ernest Jenning Recording Co.
256 W. Clayton St.
Athens, GA, 30601