Zero Mile Presents
Liz Cooper & The Stampede
New Madrid, The Artisanals
Sat · January 26, 2019
Doors: 8:00 pm / Show: 9:00 pm
$10.00 - $12.00
Tickets at the Door
This event is 21 and overhttp://www.georgiatheatre.com/event/1789937/
Window Flowers is the culmination of a year where Liz made a purposeful effort to do something creative every day. Whether it was directly related to music or not, this creative process challenged and inspired her to continually put herself in new situations and pushed her to become a better songwriter and guitar player. The tentative newcomer that is present in her early recordings was all but gone in the making of the album. Her absorption into the collaborative community is evidenced by guest appearances on Window Flowers including Will Brown (Michael Nau) on the keys, Michael and Ben Ford (Airpark) bgv’s/ guitar and songwriting, Gianni Gibson (Future Thieves) percussion, Leah Blevins on BGV’s, Emily Kohavi (Kacey Musgraves, Eminem etc.) on violin and Steve Dawson on pedal steel. Liz Cooper & The Stampede and their guests spent five days tracking Window Flowers at Welcome to 1979 in Nashville, Tennessee. TJ Elias, who co-produced the album with the band, sparked the relationship by approaching Liz one night backstage at The Ryman Auditorium after hearing her songs through a mutual friend and musician, Cody Huggins.
Window Flowers is a collection of music that deals with the weight of mundanity, and politely tells it to fuck off. When listening to “Sleepyhead” you hear remembrances of her early Nashville recordings, mixed with the powerful assertion that this is Liz Cooper, a force that will continue to shape and mold her own course of creating music. Whether you see Liz Cooper & The Stampede in a dive bar or a theater venue, you feel like you are being transported to another time and place. People often remark that her music takes them back to the 60s and 70s, when rock-n-roll felt alive, and bigger than oneself. The album will be released on Sleepyhead Records via Thirty Tigers (Sturgill Simpson, Jason Isbell) August 10, 2018.
Coming off their busiest year to-date, including playing Austin City Limits Festival for the first time in 2017, Liz Cooper & The Stampede have spent the first few months of 2018 touring with Lord Huron, Deer Tick, Rayland Baxter, Ron Gallo and Blitzen Trapper. The band will continue touring this year with Houndmouth, Tyler Childers and will play Firefly Festival and LouFest.
As Liz shakes her tambourine, hair falling in her face, donning a floral jumpsuit, it is hard to believe she identifies as a shy person. “I wanted to grow as a human and a musician so I had to quickly get over being painfully shy. I moved to Nashville as a scared and unconfident 19 year-old so I had to continually challenge myself and put myself out there. Now, as a 25 year-old I feel like I’ve grown so much confidence. Of course I will always be awkward, but I’m learning to love that. What a journey it’s been and will continue to be; definitely a hot puzzle. As I grow, my music will grow. Music is helping me figure out who I am and what the hell my life is all about and at the end of the day it just makes me happy. Isn’t that what everyone is trying to figure out how to be?”
magnetkingmagnetqueen (Normaltown Records) takes a wide swath of influences ranging from the guitar tangle of Television and the tripped-out introspection of Yo La Tengo, to the angular experimentation of Can and the harmonic bath of Magical Mystery Tour; and combines them into something entirely unique.
magnetkingmagnetqueen has it all. The album reveals New Madrid’s evolution and collective growth, resulting in the band’s most complete work to date. “Don’t Hold Me Now” is like Pylon channeling the preTommy Who. “Untitled III” is a pint-sized epic, with several movements in a three-minute window. On the other end is the dark, onolithic stomp of “Guay Lo” and the dirge-like march of “Shades.” Bringing it all together are centerpieces like “Summer Belles” and “Darker Parts,” songs with an undeniable pop sensibility that go through the looking glass and emerge as the sonic amoeba well known to fans of New Madrid’s live performances.
magnetkingmagnetqueen was made with engineer/producer David Barbe (Deerhunter, Drive-By Truckers, The Glands) in two primary locations. The group started out recording at Dogwood Lodge, the site of an unused summer camp on Lake Chickamauga in a large, open room with mobile recording gear over a week in the summer of 2015. More recording and mixing was done at Barbe’s Athens, GA studio, Chase Park Transduction with additional recording at New Madrid’s home base, The Barn.
New Madrid formed in the fall of 2010, and shortly after was approached by Barbe, who invited them to his studio to record their first full-length album, Yardboat. It happened fast. Inspired, they finished in three days.
Signing with Normaltown/New West Records, the band released their sophomore album, Sunswimmer in 2014. A live EP, Dawn Teeth Rattling, was released in 2015.
Since then the band has toured consistently across the U.S., Canada, and Europe. When not on the road, they live together in The Barn (a literal barn located in the agrarian outskirts of Athens) constantly working on new ideas.
Singer/guitarist Johnny Delaware previously performed with SUSTO. The Artisanals recently recorded their debut album at The Magic Barn, a recording studio in the countryside of Iowa, using a 1970 NEVE 80 Series console acquired from Magic Shop in New York City, the same console on which, among many others, David Bowie’s Blackstar, Kurt Vile’s Smoke Ring for My Halo, and Arcade Fire’s The Suburbs were recorded. The Artisanals nod their head to ‘70s heartland rock and perform with a refreshing energy.
240 N Lumpkin St
Athens, GA, 30601