Kikagaku Moyo – Tickets – 40 Watt Club – Athens, GA – October 19th, 2018

Kikagaku Moyo

Zero Mile Presents

Kikagaku Moyo

Thayer Sarrano, Calico Vision

Fri · October 19, 2018

Doors: 8:00 pm / Show: 9:00 pm

40 Watt Club

Tickets at the Door

This event is 18 and over

Kikagaku Moyo
Kikagaku Moyo
Kikagaku Moyo/幾何学模様 (Japanese for Geometric Patterns) is the musical union between five free spirits. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice.

They recorded their first EP in a day and posted it to Bandcamp. On the other side of the world, a small label from Greece was listening and offered to press a limited run of LPs. Interest picked up through the blogging community and the band found tight group of dedicated fans around the globe. Since 2013 the band has released two full lengths, an EP, and several singles. They have toured Australia, the United States, Europe and Japan extensively. Kikagaku Moyo love to connect with people through performing, whether they are playing in a barn deep in a Swedish forest, on a desolate Mediterranean beach, or beside a sleepy river at 2014’s Levitation Fest they bring out the magic in everyone present.

Their latest release “House in the Tall Grass” (Guruguru Brain) was recorded in the winter of 2015/16 in Tokyo. Their delicate use of melody and soft vocal harmonies contrast seamlessly with fuzzed out sitar riffs and feedback. To Kikagaku Moyo a song is like a breath of wind through the leaves or a fish jumping from the water. Their music is a conversation—sometimes delicate and tender other times explosive, but always human and always changing.
Thayer Sarrano
Thayer Sarrano
"It’s rare that a song strikes so perfect a balance between foreboding and sensual, but Thayer Sarrano gets it just right on “Shaky,” the title track from her new album. The tune is a study in contrasts, pitting hard edges against the soft allure of suggestion as Sarrano wraps her whispery drawl around a flat, forceful rhythm while vaporous tendrils of steel guitar float past."
- Paste Magazine

"Sarrano can morph from angel to devil in the same song. The looming atmosphere of dread and submission conjured on Shaky turns over a new page in Southern Gothic storytelling" —Pop Matters

"there is an aura of “southern gothic” via twangy guitars, deep woodsy echoes and a rhythm like cautiously trudging through those woods. But she also exudes a patina of the urban, opiatic tenor of ’90s gaze-girls like Opal or Mazzy Star."
- CMJ

"A siren of the cypress swamp, Athens, Georgia’s Thayer Sarrano beckons you into the darkness on the throbbing “Touch My Face.” Evoking the mystical side of Stevie Nicks, overdriven guitars guide the listener through meandering paths that follow Sarrano’s smoky coos to what one can only hope is a mystical communion." - Bucketful of Nails

"Thayer Sarrano is a force to be reckoned with in the ever-fertile Athens, Georgia scene, having worked as a touring and session musician with Cracker, Camper Van Beethoven, T. Hardy Morris, of Montreal, Dave Marr, Kuroma, and David Barbe, among numerous others. This haunting track is taken from her upcoming third album, Shaky, a tour de force of Gothic Americana...We love it." - Big Takeover

“Pitting a murky, ominous, lumbering arrangement against her ethereal voice, with its consciously mysterious dearth of affect, Sarrano crafts a sound that is hauntingly eerie. Bringing this palette to a canvas that includes country, psych, Southern Gothic, even industrial, it’s easy to imagine her scoring True Detective‘s first season.”
– Elmore Magazine

"like shoegazing with a twang, but there’s a maximalist epic thing going on, too. It’s rare that a singer is able to balance synthesizers with a slow, Southern vocal palette, and it’s almost like inventing a new language of song. Well, here it is, and it’s gorgeous!”
– FlyPaper

"Thayer Sarrano is forging her own path into a southern-psych-dreamland, bottling up ghosts and bringing them to life through her ethereal desert rock hymns. Sarrano's sound stems mainly from her eclectic background. She was raised in a monastic seminary, then coastal/swampland in South Georgia, classically trained as a child and wrote instrumental compositions and poetry. She merged into a songwriter when she attended art school in the vibrant musical community of Athens, GA and began to collaborate with friends to form her band, as well as establish herself as a studio/touring session player (Cracker and Camper Van Beethoven, T. Hardy Morris, Dave Marr, David Barbe, Of Montreal, Kuroma...). Debut album, King was released in 2009 dubbing her “The new Queen of Shoegaze” by Americana UK Magazine.

The follow up LP, Lift Your Eyes to the Hills (2012), features the single “The Bend,“ written for Groninger Museum, The Netherlands, leading to consistent European touring. The record was produced by Thayer and Hank Sullivant (Kuroma, MGMT), and was an independent release as a charitable campaign for Nuci’s Space’s teenage rock camp, “Camp Amped,” of which Thayer is passionately affiliated. “Featuring heavily spiritual themes, it could have collapsed under it’s own weight, but ‘Hill’s manages to maintain a startling lightness of being.“ -Flagpole Magazine.

Her latest release, Shaky, was described by The Huffington Post as, "A potent examination of grace and perseverance amidst loss and melancholia." Sarrano's honest, painted lyrics weave the mystical with personal experiences. We start to believe that these seemingly abstract visions are real, and in this other world we see pictures we can relate to. Pictures of dissolving relationships in “Crease”, "your memory unties my cells/ it breaks the line from your heart to mine…” Of the elusive in title track, "I trace your echo I follow your lead/ you’re shaky shaky but you settle me.” Of the search for something greater in “Glimpses,” “there’s a world at the same time as this one/it’s bright it trembles it glistens,” and of the mysterious ether in “Lost Art,” “their hands are open, call to the wild/ layer landscapes, breaking the sky/ I remember them from when I was a child/ it’s the same little image from inside my eyes…“

Dovetailing the thick twang of the country with the airy, echoing, spacious feeling of an empty church, Sarrano has carved out a pocket in which her otherworldly music has room to breathe. Or perhaps the pocket was already there and Sarrano stumbled upon it, becoming a vector for something deep and soulful and strange. Regardless, once you’ve stepped into that pocket with her, you’re bound to want to return.
Calico Vision
Calico Vision
We got those psychedelic slacker soundz 4 you. Probably most like the musical equivalent of a polaroid of an 8-bit rainbow covered in glitter. You know?
Venue Information:
40 Watt Club
285 West Washington St
Athens, GA, 30601
http://www.40watt.com/