Hardy and The Hardknocks and Friends Summer Rooftop Residency
Gringo Star, Mighty, Cowboy Curtys
Thu · August 17, 2017
Doors: 7:00 pm / Show: 8:00 pm
Rooftop @ Georgia Theatre
This event is 21 and overhttp://www.georgiatheatre.com/event/1492694/
Hardy & The Hardknocks: Drownin On A Mountaintop
Album Notes By Patterson Hood, April 2015
“Love is a language with no subtitles"
Like ideas, the best songs are the simple ones. And like most simple ideas, they’re usually far more complex upon further examination than they seem at first.
So many young songwriters start off looking for the most complex way possible to examine a simple truth. Perhaps to seem smarter, or more “mature”. The better songwriters learn - hopefully before too much embarrassment - that the complex thought simply put is the key to a great song. Distilling that subtle truth down to its very essence and expressing it in a way that cuts through the bullshit and takes the listener by the heart into the depths of the intended emotion.
“I ain’t never giving back the things I took”
I caught the line on about my third listen, busy as I was doing things around the house while the new album played loud in the next room. I’ve known Hardy a while. His long running band Dead Confederate played some of their earliest shows opening for Drive-By Truckers several years ago. I always liked them but probably didn’t delve deep enough into what they were doing to listen closely to the songs. That all changed when Hardy was about to release his debut solo album (2013’s fantastic Audition Tapes) and I saw him play a couple of times around Athens. I was immediately blown away. Every time I’d see or hear him, I’d hear something new. Great songs keep getting better the more you listen to them.
“I ain’t never taking back the things I said”
Which leads us to the new one, Hardy & The Hardknocks: Drownin On A Mountaintop. If Hardy’s solo debut was a high and lonesome mellow-roast with musical touchstones like Harvest-era Neil Young and driving down a windy back road alone, the new one blasts out of the garage like some high-octane muscle car full of friends, blasting Mott The Hoople on the way to the last-call dive bar. It has it’s very own sound, but hits me in the same places as my favorite Replacements albums - stripped down and raw, yet sonically thrilling.
“Tell me how you like it, I’ll fix you up
Don’t you know home has cleaner cups”
The music is propelled by The Hardknocks. Vaughan Lamb and Nick Sterchi are a rock solid rhythm section, pushing it forward while never over-playing or detracting. That rare thing known as A songwriter’s rhythm section. Serious praise has to go to Hardy’s long time pedal steel player. Matt “Pistol” Stoessel, a veteran of Athens GA’s incredible music scene for many years. Pistol really shines in this band, providing both a melodic counter-point to Hardy’s formidable melodies and serving as the glue that holds all the elements together. The album all manages to be stripped down and raw yet sonically thrilling.
"Cuz I’m leaving now and coming back never
You can’t kill time without hurting forever
Cuz no one knows when I’m around
but it gets quieter when I leave town”
All of which leads me back to where I started, the wonderful last song on the album where the beat drops down to a slow waltz and the pedal steel swirls and the leading man sings…
“Just like the movies our eyes met
and just like the movies by the end they were wet
Just like in the movies I can’t catch each word
but love is a language with no subtitles”
In 2013, Fiaretti moved to Atlanta looking for a fresh perspective and new collaborators. It was there that the young songwriter connected with Daniel Gleason (Grouplove, All Get Out) who would help bring MIGHTY from raw, mangled scrawls to refined underdog anthems. The debut MIGHTY EP “Bye, Have Nice!” simultaneously embraces classic influences (Dylan, Cobain, Page & Plant) and forges new territory for the Pittsburgher. The 5 tracks were recorded over the course of an impetuous 5 days on a shoestring budget entirely in Fiaretti’s kitchen (jokingly referred to as Ant Hill Studios, for a serious infestation). The debut EP is rounded out by Gordon Keiter (All Get Out) on drums, Gleason on bass, guitar and keys, and CJ Ridings (Big Jesus) on bass, guitar, and keys. Gleason also served as producer, with Ridings engineering and mixing.
“Bye, Have Nice!” is scheduled for a November 6th digital release, with a late winter vinyl release to follow. EP2 is currently being worked on.
If there’s anything that is sure about this skuzzy, endearingly messy, burgeoning artist, it’s that his power is in his vulnerability. Fresh into his 20s, Fiaretti still has many mistakes to make, but if “Bye, Have Nice!” is any indication, expect to hear about them in the most honest voice he can find.
MIGHTY is a proclamation from a small, unlikely voice that demands to be heard. Whether you like it or not is just, like, your opinion, man. He’ll still be skateboarding in his driveway, either way.
Rooftop @ Georgia Theatre
215 N. Lumpkin St
Athens, GA, 30601