Fri · July 7, 2017
Doors: 7:00 pm / Show: 8:00 pm
Rooftop @ Georgia Theatre
This event is 21 and overhttp://www.georgiatheatre.com/event/1477336/
That theme is at the core of Tristen’s music — music that is smart but accessible, meticulously constructed but undeniably infectious.
A native of South Side Chicago turned longtime Nashville resident, Tristen has released two critically acclaimed solo records — 2011’s Charlatans at the Garden Gate and 2013’s CAVES — and toured extensively as a member of Jenny Lewis’ backing band. The folk-oriented Charlatans earned her praise as “Nashville’s best-kept secret” (The Boston Globe), and the more synth-pop-oriented CAVES featured “tales of greed, alienation and heartache, made poignant but never saccharine by their electronically enhanced surroundings” (Nashville Scene).
Tristen has been singing since she could speak, and writing and recording her own songs since she was a teenager. Now an established touring musician with finely tuned chops and a knack for lashing exceptional melodies to her singularly poetic lyrics, she travels with a practiced backing trio of top-notch Nashville sidemen. Together, they bring Tristen’s lush, expertly crafted arrangements to life, giving the singer room to brandish her outsized vocals and win audiences with her powerful stage presence — performances that channel the rock ’n’ roll eclecticism of David Bowie and the creative prowess of Dolly Parton.
“Performing is my favorite thing to do in the world,” she says. “It’s like meditation for me. I let go. Ultimately, performing is about the audience, the singer and the band, and the shared experience. And at the center is truth and beauty.”
In 2016, Tristen released her first book of poetry, Saturnine, a collection of 18 poems that span from the “green carpet hills by San Francisco” to the “cold hard streets of Chicago” and brim with a kaleidoscope of characters. Her third album, Sneaker Waves, will be released July 7 via Modern Outsider Records.
"there is an aura of “southern gothic” via twangy guitars, deep woodsy echoes and a rhythm like cautiously trudging through those woods. But she also exudes a patina of the urban, opiatic tenor of ’90s gaze-girls like Opal or Mazzy Star." - CMJ
"A siren of the cypress swamp, Athens, Georgia’s Thayer Sarrano beckons you into the darkness on the throbbing “Touch My Face.” Evoking the mystical side of Stevie Nicks, overdriven guitars guide the listener through meandering paths that follow Sarrano’s smoky coos to what one can only hope is a mystical communion.” - Bucketful of Nails
"Thayer Sarrano is a force to be reckoned with in the ever-fertile Athens, Georgia scene, having worked as a touring and session musician with Cracker, Camper Van Beethoven, T. Hardy Morris, of Montreal, Dave Marr, Kuroma, and David Barbe, among numerous others. This haunting track is taken from her upcoming third album, Shaky, a tour de force of Gothic Americana...We love it."- Big Takeover
Thayer Sarrano is forging her own path into a southern- psych-dreamland, bottling up ghosts and bringing them to life through her ethereal desert rock hymns. The tones tremble and bend, layered in swirling atmospherics. The angelic voice will pull you in close to share devastatingly beautiful and heart-breaking secrets, while shadowy figures dance in the background. This is music that envelops the listener and may transport you to another world or time. A magical place that is melancholic and haunting, yet bursting with heavenly light.
With her latest release, Shaky, The Athens, GA multi-instrumentalist sounds, more than ever, like where she is from. She grew up in a monastery and then the swamp in southern, coastal Georgia. Classically trained as a child, awakened by Grunge in the 90s, with chanting forever in her subconscious, she had always written instrumental compositions and poetry. Songwriting came when she landed in the vibrant musical community of Athens, GA and began to collaborate with friends to form her own band, as well as establish herself as a studio/touring session player (Cracker and Camper Van Beethoven, T. Hardy Morris, of Montreal, Dave Marr, David Barbe, many more). Debut album, King was released in 2009 dubbing her “The new Queen of Shoegaze” - Americana UK. The sparse and raw album was recorded live in her living room in one day. Her follow up LP, Lift Your Eyes to the Hills , (2012), enters more complex arrangements and features the single “The Bend,“ written for Groninger Museum, The Netherlands, leading to consistent European touring. The record was produced by Thayer and Hank Sullivant (Kuroma, MGMT), and was an independent release as a charitable campaign for Nuci’s Space’s teenage rock camp, “Camp Amped,” of which Thayer is passionately affiliated. “Featuring heavily spiritual themes, it could have collapsed under it’s own weight, but ‘Hill’s manages to maintain a startling lightness of being.“ -Flagpole Magazine. Now, with Shaky, we see Sarrano at her bravest and most vulnerable.
Written in an unstable period of much loss, Shaky is still a record of grace and perseverance. The honest, painted lyrics weave the mystical with personal experiences. But to Thayer, it’s all real. “I’ll feel like I have to just make this quilt out of these patches of visions I’ve collected and then suddenly the song is finished and I realize it’s all true…” We start to believe her that these seemingly abstract visions are really happening, and in this other world we see pictures we can relate to. Pictures of dissolving relationships in “Crease”, "your memory unties my cells/ it breaks the line from your heart to mine…” Of the elusive in title track, "I trace your echo I follow your lead/ you’re shaky shaky but you settle me.” Of the search for something greater in “Glimpses,” “there’s a world at the same time as this one/it’s bright it trembles it glistens,” and of the beautiful ether in “Lost Art,” “their hands are open, call to the wild/ layer landscapes, breaking the sky/ I remember them from when I was a child/ it’s the same little image from inside my eyes…“
Dovetailing the thick twang of the country with the airy, echoing, spacious feeling of an empty church, Sarrano has carved out a pocket in which her otherworldly music has room to breathe. Or perhaps the pocket was already there and Sarrano stumbled upon it, becoming a vector for something deep and soulful and strange. Regardless, once you’ve stepped into that pocket with her, you’re bound to want to return.
Rooftop @ Georgia Theatre
215 N. Lumpkin St
Athens, GA, 30601