Your Girlfriend Already Bought Tickets Tour
Cherub + The Floozies - 2 Day Pass
Thu · March 2, 2017
Doors: 8:00 pm / Show: 8:00 pm
This event is 18 and overhttp://www.georgiatheatre.com/event/1400665/
“Our friendship has always been based on a mutual respect,” says Jason. “Jordan had an entire record written, but he wasn’t really playing shows. I was playing shows, but I didn’t really have many songs. It made sense to join forces on so many levels. Now, we live together, work together, and play together.”
After a handful of independent albums, CHERUB’s “Doses & Mimosas” began to organically generate serious buzz. It caught the attention of Columbia Records who signed the boys in 2013. A year later, they cooked up their full-length debut, Year of the Caprese, and embarked on a whirlwind ride. Driven by the re-released breakout “Doses & Mimosas,” which racked up over 41 million Spotify streams, the band made their television debut on CONAN, topped HypeMachine, and received props from Rolling Stone, Interview Magazine, The Guardian, Paste, Complex, and many more. They built a diehard and dedicated fan base throwing down on cleverly titled tours like “The Blow’d Tour,” “So… YOU DTF Tour?,” and its obligatory sequel the “…STILL DTF Tour?” Moreover, they became a worldwide main stage festival attraction, tearing up Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, and even Summer Sonic in Japan.
Along the way, they began assembling what would become their second major label full-length, Bleed Gold, Piss Excellence. 2015 saw them welcome producer and drummer Nick Curtis and guitarist Jordan “JB” Bartlett into the live band, and it definitely made a mark on the creative process.
“Having extra and different energy has been really cool for us,” says Jordan. “The foundation for many of the new songs started with JB playing guitar over a synth line, while I was jamming on a Moog synthesizer. We’ve been nerding out with gear, often creating ideas live first and then dumping then into the computer. Before, we’d begin with some software program and add live instrumentation afterwards. It’s not like we made a Christmas album or an all-acoustic record. It’s still Cherub; it’s just the next level.”
“It’s been fun to break out of our normal habits in the studio and experiment with new songs,” adds Jason. “Everything has a more organic feel. We’ve been going back to things that inspired us growing up. We both love the early nineties rap, R&B, alternative rock, and pop that we grew up with on the radio.”
The first single, “Bleed Gold, Piss Excellence,” struts along on a funky, fiery, and fierce bass line, finger-snaps, and a guitar jangle. In between a talk box transmission that Dr. Dre would approve of, CHERUB churn out a neo-funk disco epic.
“One time, we played this New Year’s Party,” recalls Jordan. “There was a VIP section, which I think is hilarious, but I get it. However, this VIP section had another VIP section inside of it. I think the mindset of people ‘Bobby Bottle Servicing It Up’ is funny.”
“‘Bleed Gold, Piss Excellence’ is the attitude someone in that place might exude,” continues Jason. “It’s a tongue-in-cheek ode to them, but we recognize it’s okay to have a tiny drop of that pompous attitude in you. You should have that kind of confidence; just don’t let it consume you!”
Across the album, the music shuffles from dusty boom bap-style drums a la OutKast into shimmering guitar tones as if DJ Premier were producing Cocteau Twins. It’s a lively and lush sonic palette, breathing new life into nostalgia.
Ultimately, Bleed Gold, Piss Excellence represents the next natural step for CHERUB.
“We put our hearts and souls into it,” Jordan leaves off. “We’re always trying to progress. We don’t want to stick to a certain pattern. I want people to take away that we’re growing and will continue to do so.”
“This album was all about dynamics,” concludes Jason. “Music is supposed to feel alive. You feel it living and breathing when you listen to it. It surprises you. That’s what we wanted with this album.”
Brothers Matt and Mark Hill share the stage just as easily as they share a musical brain. Without a setlist, and without a word between them, Matt’s guitar is in lockstep with the thud of Mark’s kick. Endless looping and production builds the raw scenery upon which palm muted chugs, searing solos, and wobbling bass paint their dazzling array of colors.
Well versed in everything from Chris Cornell to Kavinsky, the sonic vision shared by the brothers eschews contemporary electronic influences in favor of broader, deeper tastes including Zapp & Roger, Lettuce, and Amon Tobin. That wide-angle view of a century of popular music allows the Hills to remix Toto and The Dead—in the music you can hear reverence for the giants of the past, all the while producing wildly futuristic tunes for the masses to dig now.
When the pendulum swung as far as it could away from live instrumentation to laptops, The Floozies rose up to the challenge, swinging as hard as they could in the other direction with neck-snapping, knee-breaking funk so dirty that the gatekeepers stood up, wiped themselves off, and took notice. A bold live show full of sonic exploration and unbreakably deep pocket grooves has landed the brothers on stage with luminaries of the jam world Umphrey’s McGee as readily as electronic elites STS9 and Big Gigantic. Sold out shows across the Country, huge festival appearances at Bonnaroo, Electric Forest, High Sierra, Summercamp, Wakarusa, Camp Bisco, Summerset, Bumbershoot, and a sold out Red Rocks show with Griz have continued to cement the duo’s ascent.
The Floozies are bringing the funk back, and they’re right on time.
Based out of Detroit, Freddy Todd is truly a master of his craft not only in the studio but on stages across the globe. Without any pre-recorded sets, Freddy has the skills and the audacity to perform on the fly mixes of 100% original material tailored to his specific audience, mood, and venue each night, be it a theater in northern California, a club in the back alleys of Detroit, or an outdoor festival in the bush off the eastern coast of Australia (occasionally on special nights with his live drummer, ill.so.naj). His earth shattering, meticulously programmed beats and rhythms, his lazer crunk, funky psychedelic bass and sound design, and his brain tingling, intelligently soul-soaked synths, melodies, and field-recorded samples are sure to shake your consciousness as they blast through airwaves out of top notch sound systems across the universe.
215 N. Lumpkin St
Athens, GA, 30601